“the downtown prodigy"

-Joan Acocella, The New Yorker

“one of the most exciting choreographic voices out there”

-John Rockwell, The New York Times

“supernatural ebullience"

-Gia Kourlas, The New York Times

“brilliant and eccentric”

-Elizabeth Zimmer, The Village Voice

“bold, bizarre, and grotesquely beautiful”

-Steve Sucato, Pittsburgh City Paper 

“Does anyone in contemporary dance have a stranger and more fantastical imagination that Christopher Williams?"

-Roslyn Sulcas, The New York Times

“a connoisseur of the archaic and the arcane whose dances animate strange and fantastical elements of the past with rare persuasiveness and imagination”

-Joan Acocella, The New Yorker

“In Christopher Wiliams’s world, the macabre and the beautiful walk hand in hand down byways of myth, legend, and history.”

-Deborah Jowitt, The Village Voice

“With a whimsical imagination and a sharp eye for detail, Williams knows how to cook up a visual and kinetic feast.”

-Siobhan Burke, The New York Times

“It’s a visual feast. If dance is looking for new directions, I say one way to go is on this lush, sensual, and primal path.”

-Marilyn Jackson, The Philadelphia Inquirer

Mission


A curious “alchemist of theatre" aiming to transcend boundaries between a variety of art forms, Christopher Williams continues to hone a distinctive style that combines contemporary dance with visual design, music, and puppetry to yield multifaceted movement-based works in his own unique genre of contemporary performance. Preferring to cast each new project specifically rather than maintaining a set company, he assembles a wide variety of performers that juxtapose many body types, ethnicities, genders, and orientations as well as span many ages in order to instill each of his works with an unusual corporeal counterpoint.

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Upcoming Performances


The Prayer of Daphnis
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Narcissus (world première)
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Pride Festival
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